ARTICLES & PRESS
HEADLINER MAGAZINE - 2019 MPG AWARDS SPECIAL
An article we did for Headliner magazine, with an insight into Such Sweet Thunder and our mix room. This was printed in the special issue for the 2019 MPG awards.
2012 OLYMPICS - SOUND ON SOUND
In 2012 we were thrilled to be asked to be co-musical directors of Danny Boyle’s opening ceremony for the London Olympics. Working with the directors/composers Underworld they created some truly epic and memorable works. Here’s an article in Sound on Sound about one of the largest and longest pieces we’ve ever mixed!
ELVIS AND THE RPO, “IF I CAN DREAM” - AUDIO TECHNOLOGY
What a privilege it was to be given free rein with the multi-tracks to some of Elvis’s most famous songs. This article explains some of the intricacies and challenges of enhancing and remixing these classic works.
ALIEN COVENANT - AUDIO MEDIA INTERNATIONAL
Working with a relatively new composer on a huge Hollywood film with a renowned director with a legendary reputation such as Ridley Scott can have it’s challenges! This is a nice article about the scoring and dubbing process on this film with Jed Kurzel’s fantastic, unique score which we produced.
RECORDING VALERIAN - AUDIO MEDIA INTERNATIONAL
An article about the recording of “Valerian and the City of A Thousand Planets”. This was the first large scale film recording at Radio France in Paris, we did the technical setup and recording of this.
RECORDING THE MUSIC FOR THE KING’S SPEECH - SOUND ON SOUND
An article about the very special microphones Pete discovered and used to record Alexandre Desplat’s score for Tom Hooper’s Film.
PETER COBBIN - RESOLUTION
This article from 2013 talks with Pete about his work remixing in 5.1 for The Beatles Anthology DVD
IT WAS 31 YEARS: REMIXED IN 5.1 FOR YELLOW SUBMARINE - MIX
An article from 1999 about Pete’s landmark Yellow Submarine mixes. Pete was the first engineer to remix The Beatles.